"Writing a book is the art of listening to oneself."-Brad Cameron
Showing posts with label Legend. Show all posts
Showing posts with label Legend. Show all posts

Thursday, April 17, 2014

Odin's Light - REVISED EDITION!

As of 8am this morning, the REVISED edition of Book One of THE ZEKE PROPER CHRONICLES, Odin's Light, is available through Kindle for only $.99! In anticipation for the release of Book Three, The Gates of Asgard, I want as many readers and lovers of fantasy, fiction and Norse Mythology to have a chance to buy and read Book One. After you get your copy, please spread the word and WRITE A REVIEW on Amazon! Feedback from my readers is very important to me. I can't wait to hear what you think!
http://www.amazon.com/Odins-Light-Zeke-Proper-Chronicles-ebook/dp/B007NCIRMQ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1397755743&sr=1-1&keywords=Odin%27s+Light
Visit http://www.amazon.com/Odins-Light-Zeke-Proper-Chronicles-ebook/dp/B007NCIRMQ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1397755743&sr=1-1&keywords=Odin%27s+Light to get your copy or click on the book cover above!

Friday, April 4, 2014

My Journey to the Gates of Asgard

While in college, I remember being subject to several lectures, embroiled in mounds of reading assignments, and challenged to the limit with writing projects. In general, I remember many of those tasks, but specifics completely elude me. However, I do remember some profound words of one of my favorite professors. They are words I’ve often repeated to my own writing students: Writing is hard work.

Many of my students struggle with the task of writing, often expressing their displeasure in the form of moans and whines. I think most students expect the skill to just happen; when it doesn’t, they give up. It’s sad when they do. But I have to admit; when they express the desire to quit, I can honestly say that I understand – I get it.

While writing the third book in the Zeke Proper Chronicles – The Gates of Asgard - I’ve often found myself on the brink of quitting, simply giving up and instead spending my evenings tinkering with some woodworking tools in my garage rather than wasting my time in my tiny office trying to work out another complicated scene. But I’ve persevered. I think the reason I have is because I want to find out how the story ends just as much as my loyal readers. In my experience, I’ve discovered that Zeke’s story wants itself to be told. I can’t even begin to count the number of times I’ve sat down at my computer, having in mind a particular direction I think I want the story to take when I’m suddenly blindsided. The tale begins to tell itself, taking me in directions I would have never imagined. Sure, the process has been hard. It’s been a challenge that has frustrated me with elated highs and bitter lows, moments of pure inspiration and instances of harsh disappointment. But I think that’s what’s made it all worth it. If I didn’t have to work for it, then where would the satisfaction be?

As it stands, The Gates of Asgard is complete. It’s going through some final edits, but for the most part the rest of the story’s been told – and it’s really good. I’m not just saying that because I wrote it. I’m saying that because, really, I didn’t write it. It wrote itself, and it will take you on a journey that will blow your mind. 

Book Three of The Zeke Proper Chronicles -The Gates of Asgard
Brad Cameron
Release date May 2014

Monday, December 2, 2013

A Season of Celebration: How the Vikings Have Perfected It

Several months back (June of 2013) I wrote an article called, “The Warrior Within: Lessons from the Valkyrie”. In it, I discussed the importance of the Valkyrie to the legends and myths of the Norse. The Valkyrie are simply described as twelve beautiful maidens. They are choosers of the slain and they follow the direction of their God and their leader: the Father of Battle - Odin. Their task is vital to the Viking way of life, stressing the need of every warrior to fight with vigor and energy; giving every ounce of strength they possess to prove themselves worthy of an afterlife in the halls of Vahalla. If the Valkyrie deem them worthy and the warrior dies on the field of battle, his soul will be lifted up and carried to a location that is easily recognized, especially if you are a Viking warrior. Its roof is made of shields and its rafters are spears. Breast-plates litter the benches. A wolf lurks at the western door and an eagle hovers over it. Moreover, Vahalla has five hundred and forty doors, and when the time comes to fight against Fenrir the wolf, son of the bound Loki, eight hundred warriors will march out of each door, shoulder to shoulder. But that time has yet to come. In the meantime, the fallen warriors celebrate. And what a celebration it is.

(c): theskyrimblog.ning.com
Every morning the fallen Viking warriors rise from a gentle slumber and arm themselves with spear and sword. They travel to the great courtyard to fight, killing one another anew, only to rise again in the evening, travel back to the hall, and feast. Andhrimnir the cook, who is always smutty with soot, roasts a giant boar, which is said to be the finest of all foods. The warriors devour the meat which is accompanied by copious amount of mead and wine. They drink and they eat until they’ve had their fill. Then, with their stomachs full and their minds swirling with the potent drink, the warriors fall asleep resting their heads upon the tables with the happy thought that tomorrow’s adventures will be just as satisfying.

As we enter a new celebratory season and as I embark upon the enhanced sales of my books Odin’s Light and The Serpent’s Ship, Book One and Book Two of The Zeke Proper Chronicles, I urge you, dear reader, to consider the celebration of reading. Lose yourself in a good book and raise a glass to Odin, the Father of Battle.

Thursday, October 31, 2013

Loki's Flyting

From its source in the Lokasenna, there is a unique Norse poem taken from the Elder Edda. Its title “Loki’s Flyting” – the term flyting or fliting meaning a contest consisting of the exchange of insults, often conducted in verse, between two parties – is the story of a feast between the gods, their sadness over the death of Balder causing them to abandon the hall of Asgard for the island of Hlesey. There, the gods are served copious amounts of ale prepared at the hands of Aegir, the caretaker of the island. As the tale unfolds, we are at once again reminded of Loki’s treachery in the murder of Balder and how the gods are becoming more and more aware that it was he who was responsible for the beloved god’s death. Nevertheless, Loki, the bold, rash, mischievous imp that he is, strides into the feast unannounced, much to the immediate displeasure of the rest of the gods.

The tale begins with Loki asking for a drink of ale, but is told, in no uncertain terms by the god Bragi: “The gods will no longer make room and give you a place amongst them. You’re not the kind of company they want at a feast.”

Loki, now feeling the bitter stares of those who sit around him, does the one thing he does best: insults them. He begins with Bragi – “Bragi the beggar,” Loki said. “You’ve never had a horse or a ring to your name, and you never will have. Of all the gods and elves in this hall, you’re the greatest coward.” And so he continues until he’s insulted each and every god in the room, including Odin, with his biting words.

(c): disney.wikia
Finally, it is Thor’s entrance that causes a mighty change to come over the gathering: “Loki was so carried away by his flight of words that he did not see that Thor had walked into Aegir’s hall. ‘Hold your tongue, you scum,’ Thor roared, ‘or my hammer Mjollnir will shut your mouth! I’ll swipe your shoulder-stone off your neck and that will be the end of you!’”

Loki, his smug expression ever present, lashes out at Thor. “Look everyone, here’s the Son of Earth! What a blustering bully you are, Thor. But you’ll be less fierce when you grapple with Fenrir and see him gulp down Odin, the Father of Victory.”

Thor, being angered even more by Loki’s threatening words, continues to brandish his hammer, his grip on Mjollnir tight and menacing.
 
Nevertheless, one thing that can always be remembered about Loki, the Sky-Traveler and the Changer of Shapes, is that for all his brash words and threats, he is but a coward.

“Loki paused and looked defiantly around him and then addressed himself to the host. ‘You’ve brewed fine ale, Aegir, but you’ll never hold another feast such as this.’”

It is here that Loki once again foretells the fate of the gods in the coming of Ragnarok. “Flickering flames will gorge on this hall and gut it and destroy everything you own; your body will be flayed by fire.”

Loki then takes one more fleeting glance at Thor who stands before him with his hammer raised, ready to strike. “I will take my leave now,” Loki said, his voice quivering slightly with fear. “I know all about your strength, Thor.”

Loki quickly turns and goes, his terrible, prophetic words echoing round the walls. For a long time after he leaves, the gods continue to sit in silence, Loki’s words spinning in their minds. Then in silence they leave.

Friday, October 18, 2013

Guest Blog - J. Keller Ford

This week, I am excited to announce J. Keller Ford as my guest blogger. 

As a young Army brat, Reader's Choice award winner J. (Jenny) Keller Ford, traveled the world and wandered the halls of some of Germany's most extraordinary castles hoping to find the dragons, knights and magic that haunted her imagination. Though she never found them, she continues to keep their legends alive. Her story, The Amulet of Ormisez, is available as part of the MAKE BELIEVE anthology. Dragon Flight, is slated for publication in December 2013. When not at her keyboard breathing new life into fantasy worlds, Jenny spends time collecting seashells, bowling, swimming, riding roller coasters and reading. She works as a paralegal by day and lives on the west coast of Florida with her family, three dogs, and a pretentious orange cat who must have been a dragon in his previous life.

What is there not to love about YA fantasy, science fiction and dystopians?  Today, they top the charts with both young and old readers alike. Authors like Cassandra Claire (City of Bones, et. al), J.K. Rowling (Harry Potter), Veronica Roth, (Divergent)”, and Stephanie Meyer (Twilight) are household names, ranking up there with the likes of C.S. Lewis, Lewis Carroll, J.R. R. Tolkien and Roald Dahl.  But what makes these stories so popular, and why do so many authors, including myself, want to join the ranks? 

To me, YA FanSiFiTopians are the ultimate escape.  Whether set in an urban town, a destroyed society or in a different world with magical strange creatures and beings, young adult literature opens the mind to possibilities, imagination, and the conviction, even as adults, that anything can happen if you believe.  Tap into the teen side of you, the one that is invincible, the one that can take on the world.  Stop being a grown up.  For me, tapping into that young adult part of me provides freedom and unlimited possibilities, not only in my writing but in my perspective of the world.

Writing YA fantasy is exhilarating to me.  I’m not confined to a certain set of laws, reality.  I can create my own worlds and civilizations.  Whatever rules there are, I make up.  I decide.  The universe is mine to toy with.  If I want dragons to have tea time or monkeys to ride on the backs of pterodactyls, I have the power to make it happen.  The only limitation is my imagination.  The hard part is making the reader suspend their beliefs long enough to come along with me on the journey.

Easy?  Yes and no.  Writing fantasy means letting your imagination go while equally balancing it with reality.  Readers need something, someone they can connect with when they read fantasy.  They need a reason to go on the journey.  Characters have to have traits that are relatable.  Scenery needs to be familiar.  Magic needs to be obtainable.  For me, friends, family, strangers are a wonderful source of inspiration.  I listen to conversations, watch the way people move. I study people.  Do they have a contagious smile, Confidence?  Swagger?  For scenery, I look around me. I pull on memories of where I’ve been in my life and if I can, I travel.  I was lucky as a child to have traveled around the world.  My inspiration for writing fantasy came at a very early age while hopping from one German castle to another, walking the ancient towns, touring the ancient ruins, and staring in awe at Neuschwanstein, longing to claim that castle and its grounds as my own. Wondering what it would be like to battle a dragon clinging to one of its many towers.  Escaping through hidden passages. While the internet and books are amazing for research, they don’t take the place of actual hands-on contact.  Once you feel it, touch it, you know how you can manipulate it.  At least that’s what I find works best for me.

Of course, not everyone can travel so they must rely on the internet and books for research.  I, myself, have had to rely on several sources to learn medieval terminology, the types of clothes different classes of people wore and what they were called.  I think the more we educate ourselves in reality and cultures, the more ability we have to twist them to our wants and needs.  Once we incorporate reality with fiction, the reader begins to suspend belief. 

What also helps me in writing is taking what the experts say about writing to heart…and then tossing it out the window.  What makes these best-selling authors, best-selling?  They broke the rules.  They gave the world something it didn’t have.  They dared to be different, to be bold.  I think it’s important to follow our gut, find our own style, our own rhythm, and stop trying to be the next Rowling or Meyers. Be yourself.  Be genuine.

I have also found that it works best to just write until the novel is finished.  I used to be one of these people who had to revise Chapter 1 a gazillion times before moving on to Chapter 2.  What a silly way to tackle a project.  My advice…write.  Write, write, write until you put “The End” on the final page.  There’ll be plenty of time for edits once your novel is finished and you pop it out to trusty beta readers/critique partners in your target audience group.  Yes, it hurts, but it is necessary to let the rabid dogs rip your manuscript apart.  Trust me; a great beta reader will remove one layer of tarnish after another until your masterpiece shines.  I would be lost without my beta readers.  I cannot put a price on how valuable they are.  And I know when that manuscript is finally polished, I’m ready to take the next step…submission.

But that’s an entirely different beast all together.

Thank you, Brad, for hosting me.  It’s been fun.
 
Blog 
Twitter  
 
Published works:
 
Dragon Flight - ONE MORE DAY anthology - J. Taylor Publishing.  Releases December 2, 2013
 
 
The Amulet of Ormisez - Make Believe Anthology; J. Taylor Publishing - Released December 2, 2012
 
 
 

Friday, August 30, 2013

Origins of the Korrigan

In Book One of The Zeke Proper Chronicles: Odin’s Light, I introduce readers to a creature that temporarily occupies the deep dark waters of the Stick River. A meandering river located near the ocean side town of Alder Cove, the Stick is a place shrouded in darkness and mystery. Its location is considered haunted. None of the inhabitants of the town of Alder Cove go there - well, almost none of them. It is a site to be shunned and has been for centuries. Why? Because it’s where the Korrigan goes to lie in wait for its payment for years of prosperity - the sacrifice of Alder Cove.

So what exactly is the Korrigan and what are its roots?
Much of what I include in the stories of Zeke Proper are references to Norse mythology. Sort of a retelling of the stories with slightly different characters and circumstances. The Korrigan, however, finds its beginnings in Celtic mythology. Originally found in Irish literature, most of us are probably aware of references to banshees, which actually means "woman of fairy mound" or just simply as "fairy woman". Ban or bean meaning "woman".
Photo Credit: (c) Wikipedia Commons
(c) Wikipedia Commons
In Irish and Scottish Gaelic folklore traditions the banshee came to mean a female wraith or spirit, whose terrifying howls foretell the death of a particular person in a specific household. This banshee was tied to a person or family, sort of like an attendant fairy. (Note how this coincides with the Proper Family).

In my telling of Odin’s Light, I have taken the myth of the Banshee and combined her with the Breton fairy woman known as the Korrigan, a type of banshee that not only foretells a death, but also causes it. Then, I took this a step further, relating the banshee to the Washer or Washer-woman at the Ford, known in Scottish folklore as “bean nighe”.

"Bean nighe” was a Scottish Gaelic name for the Washer at the Ford. The Washer or Washerwoman can be found in almost every Celtic culture. In the Scottish Gaelic tradition, the washer is the harbinger of death.

According to the Scottish Gaelic tradition, the bean nighe was a woman who died at child birth. She was described as a woman dressed in green, but can be recognized by her webbed feet standing next to a stream or lake, washing bloodstained clothes of those who would die.

Of course there are Celtic myths that surround these creatures and they carry with them the same kind of foreboding that the Korrigan in Odin’s Light carries with it. In this retelling, I take my information from www.timelessmyths.com.

The most common female fairies in the Breton tradition are the korrigans that resided in the woods, especially at Broceliande, often near a stream, spring or fountain. She was a fairy that seeks a mortal lover.

The korrigan was probably a pagan druidess originally. She was equated with gwragedd annwn – the Welsh fairies of the lake and streams.

She tried to seduce mortal men who would drink from her water. Finding them unawares she would attempt to lure a weary traveler to sleep with her. If the man refused her advance or seduction, she would angrily curse him to a doom. This is what happened to the Seigneur of Nann.

The Seigneur was married to a woman whom he loved. One day, his wife asked for some May-blossoms from the forest. The Seigneur rode out, but during his ride, he became thirsty and drank the water from a nearby fountain. Here, the Seigneur encountered the Korrigan who demanded that he sleep with her. But the Seigneur angrily refused because he was faithful to his wife and rode away after hearing that he would die in three days. He turned and rode from the woodland as a man possessed. As he drew homeward he was overshadowed by a sense of coming ill. At the gate of his château stood his mother, anxious to greet him with good news of his bride and the child she would soon bear him. But with averted eyes he addressed her in the refrain so familiar to the folk-poetry of all lands: 

"My good mother, if you love me, make my bed. I am sick unto death. Say not a word to my bride. For within three days I shall be laid in the grave. A Korrigan has done me evil."

The priest, his mother and other people kept the secret of his fate from his wife. Three days later, the Seigneur's mother finally told her daughter-in-law the truth. The wife died of broken heart and was buried beside the Seigneur.

The tragedy that surrounds the evil summons of the Breton Korrigan is also the kind of tragedy that encompasses the lives of Zeke and the rest of his family in Odin’s Light. As you read on in the books that follow in the Zeke Proper Chronicles, you will discover that the appearance of the Korrigan is only the beginning of a very long and arduous journey for the story’s hero.
-Brad

Friday, May 17, 2013

Water Dragons

I recently came across a quote that was rescued from an 8th century Anglo-Saxon Chronicle. Its implications provide a terrifying undertone that borders the fine line of fairytale and reality, invoking an image of horror that might cause a pragmatist to reconsider the truth surrounding the myths.

In this year dire portents appeared over Northumbria and sorely frightened the people. They consisted of immense whirlwinds and flashes of lightning, and fiery dragons were seen flying in the air. A great famine immediately followed those signs, and a little after that in the same year, on 8 June, the ravages of heathen men miserably destroyed God’s church on Lindisfarne, with plunder and slaughter.

The year was 793. The place was Northumbria in the great monastery at Lindisfarne. The attackers were the Vikings.
The writer of the chronicle, probably a Christian monk, must have watched the actions of the assailants that day with a detached sense of reality, suddenly feeling forsaken by his God. Nevertheless, one cannot be too hard on the witness. His peaceful understanding of the world and the sanctity of his religion had just been shattered right in front of him by a foe whose likes had never been seen before.
We’re told by Ken Crossley-Holland, in his book The Norse Myths, that the literal meaning of the word Viking is ‘fighting men’. The word berserk, in fact, was coined by the fighting methods of these warriors. Imagine a horde of men storming over a hill toward your stronghold, perfect in physique, tall, with a reddish hue to their long braided hair, their faces covered in thick beard. They are partially clothed in furs that are draped over one side of their body, leaving one hand free to wield a weapon. Their battle cry is like that of a ferocious animal that sends a shuddering chill up the spines of their enemies. If you are a peasant farmer or a peaceful monk sitting in his cell copying lines of the Bible, a scene like this would be nothing short of horrifying. But then add to that the Viking’s unique mode of transportation.
The Norsemen were superb ship builders. Crossley-Holland reminds us that the ships were “one of the great practical and artistic achievements of pre-Conquest Europe…they were both beautiful in line and very pliable in rough waters.” Again, imagine you are a peasant who has woken early to fish from the nearby river. You walk the short distance from your village and see a large wooden ship skimming smoothly over the shallow water, its overlapping planks sweeping up at either end. It is propelled by oarsmen, perhaps fifteen or sixteen on either side and a square sail. It has an enclosed deck with the warrior’s colored shields hanging in a row over the railings. But the thing that really terrifies you is the elaborately carved prow. A figurehead in the shape of a dragon. It’s no wonder our chronicler warned of “fiery dragons…flying in the air”. No doubt his first impression of this new breed of attacker was that the gates of hell had been unbolted and that the dragons had been released, both to sail through the air and to float on the water.
-Brad

Friday, April 5, 2013

A little update with a few words on Naglfar

Last week, I went to Vernal, UT- located directly east of Salt Lake City- to pick up my daughter and grandson to bring back to Oregon.  While there, I had the opportunity to do a few events to promote The Zeke Proper Chronicles.  First, I had a table set up at a scholastic book fair at the Uintah County library, then, I had two interviews on two different radio stations.  After my radio interviews, I set up for a book signing at a quaint book store on Vernal's main street.  I have posted a few pictures of my events and will hopefully have a recording of my radio interviews up soon. 
 
 



 


 
The blog I have written for this week is also being featured on Katie Mettner's website.  A big thank you to Katie, who was a guest blogger for me a few weeks ago. 
 

Naglfar - The Ship of Death 

            In the beginning of The Serpent’s Ship - Book two in The Zeke Proper Chronicles - one of the heroes, Devon Proper, is startled by the sudden appearance of a ship, its prow carved in the form of a serpent that stares down at him from the mist and fog. His first impression is that it is real, a dragon come to life from Norse legend in the tiny harbor of Alder Cove. However, his mind is soon relieved to discover that its wooden eyes are lifeless; that its appearance is only a preface to the darkness that looms on the horizon.

            A common theme to Norse mythology - also a reoccurring motif in The Zeke Proper Chronicles - is the bleakness of the future, a future that promises the eventual destruction of Midgard and the gods that oversee it. For unlike the gods of Greek and Roman myth, the Norse gods are not immortal. Their demise is foretold in the coming of Ragnarok, a word that literally means “Destruction of the Powers”. The myths relate a myriad of occurrences that will take place both before and during the apocalyptic final battle between the gods and the giants. An event so far reaching that it will include all creation, in which virtually all life is destroyed and the nine worlds are submerged. One of those occurrences involves the appearance of Naglfar, a ship constructed out of the painfully extracted fingernails of dead men. In The Serpent’s Ship, I try to describe the vessel in what might be considered “an artist’s conception”:

            Reflected light caught Zeke’s attention, and he turned to look closer at the sides of the ship. Its hull glistened and an iridescent cascade of colors shimmered along its entire length. His first impression was haw beautiful it looked. The colors seemed to dance, their melody expressed like the gentle, lapping waves of the sea. Upon closer inspection, Zeke realized what the small, scale-like material was, and he reared back in horror and revulsion…the ship was built from the painfully extracted fingernails of the dead. The beautiful, glimmering shape of the hull was the product of that torture…he walked quickly, stepping lithely onto the deck, noting that the shimmer of the fingernails continued along the deck’s immense surface and even extended up the three tall masts that towered overhead.
 
            As Zeke’s exploration of the ship continues, he learns that the captain of the vessel is in fact Loki, its helmsman Hrym, and its crew the Frost Giants. Their eventual course is the plains of Vigrid, an immense area where the final battle will take place.

            Zeke and his little brother Devon meet various roadblocks and challenges amid their adventure. Nevertheless, they overcome and grow like any champion within the confines of the hero’s quest. The ship, Naglfar, is always on the horizon however, a glimmer of evil that threatens to destroy a completely indifferent world.

            Book one and book two of The Zeke Proper Chronicles can be found on Amazon Kindle and in paperback. Pick up your copies, begin winding your way through the streets of Alder Cove, and discover just how close a connection Zeke has with the Mist and the Norse gods.

Friday, March 29, 2013

Guest Author-Tonya Macalino

Tonya Macalino is my guest blogger today.  She is the author of The Shades of Venice series.  These novels are urban fantasy thrillers featuring folklore and folk history from the collapsing canals and alleyways of Venice.
Leda and the Swan: From the End of The Age of Heroes Rises a New Legend

Once upon a time…

Once upon time, a single moment, a typical moment of amorous indiscretion brought about the end of The Age of Heroes. For in that moment, the leader of the Greek gods, the almighty Zeus, took the form of a swan to mask from his ever-jealous wife Hera another of his endless pursuits. With Leda, Queen of Sparta, he begat that ending in the shining form of Helen.
 

Helen of Sparta, who was to become Helen of Troy, received the gift of beauty, but was denied the gifts of honest love and deepest friendship. Twice kidnapped—once by Theseus and once by Paris—because of her beauty and divine heritage, she lived ultimately to become the downfall of Troy. The face that launched a thousand ships.

A generation of heroes died on the plains of Troy not to see her liberated or even truly to see her husband’s pride avenged, but simply because, as her former suitors, these kings and heroes had been made to swear an oath to defend the marriage lest the losers in the bid for her hand slaughter one another.

An oath to prevent a slaughter.

An oath culminating in ten years of bloody war. Ten years that would leave Helen friendless on either side of the ramparts and throughout the civilized world long after the war was over. Passed along from the burning ruins of a once great city, she would continue to be a pawn in the plots of gods and kings until her life was ultimately ended by them.

But something else passed along from those burning ruins, something arose, slowly from the end of The Age of Heroes. Antenor, advisor to the royal Trojan family, escaped the flames with his Veneti. They fled the Aegean and emerged into the Adriatic, settling Pavatium in 1183 B.C.

Near noble Pavatium, or Padua as it was to become known, were a chain of islands in the lagoon, a place to flee to during the relentless sieges and raids of the Huns and Romans. Rife with mosquitoes and diseases, the islands became a refuge for the descendants of these Veneti.

A lagoon, a scattering of islands.

The legendary empire of The Most Serene Republic…of Venice.

Helen and her tragedy would live on in thousands of years of myth built up into the romantic, decaying city of Venice we know today. Myths of mermaids, sea creatures, doomed monks, vengeful Doges…and of fairy-witches known as fate. Yes, fate. Whether because the Veneti brought Leda, Helen, and their capricious gods with them, or because of a Roman influence, the three sister Fates found their reincarnation in the stories of the lagoon.

Stories that continue to lurk in our psyches on into the modern day.

But now I invite you to come a little further forward, one hundred years—a mere moment in the time of myth—and watch a new woman, Alyse Kate Bryant, struggle to become disentangled from those fated, flooded ruins…as the legends of Venice rise again.
 
Here are some links to keep up on the words and works of Tonya:
 
The Story of Place Blog: http://www.tonyamacalino.com/Blog.html
The Myth Makers Newsletter: www.facebook.com/TheMythMakers
 
FACES IN THE WATER - Book Links:
SPECTRE OF INTENTION - Book Links: