"Writing a book is the art of listening to oneself."-Brad Cameron
Showing posts with label Writing Tips. Show all posts
Showing posts with label Writing Tips. Show all posts

Sunday, March 29, 2015

Silk Road Interview

Recently, I was interviewed by a Pacific University literary magazine titled, "Silk Road: A Literary Crossroads." I wanted to share the interview with you, my readers. This interview deals with  my thoughts on Norse Mythology and writing tips for the young author. Do you have any other questions for me? Let me know what you think!
 
Silk Road Interview
Brad Cameron
Author of The Zeke Proper Chronicles
Book 1: Odin’s Light
Book 2: The Serpent’s Ship
Book 3: The Gates of Asgard

1.      You are both a teacher and a writer. How do you balance both commitments?

Seeking motivation to write and pulling away from the inevitable exhaustion that comes after a full day of teaching requires some effort to be sure. However, because writing and teaching are shared passions in my life, the challenge to force myself to sit down after a long day and tap away at the computer’s keyboard to create my stories is made much easier. The teaching aspect of my life requires a measured amount of time and effort, but that time is neatly focused between 8 am and 4 pm each day (I am not the type of teacher who brings home grading – well, maybe sometimes - I figure if it doesn’t get done at school, it can wait until the next day). This frees me up for the evening hours to write. In the evenings I usually set aside three hours of concentrated time on a writing project. The project may be a chapter in a current novel or a blog article. Either way, evenings are allocated specifically for writing. I will then set goals for the evening’s work that usually coincides with my mood, the goals, however, are always lofty. Usually it’s word count (600 – 1000 words), or the completion of an article. In either case, I find that when I push myself the motivation comes easier.

2.      Norse Mythology heavily influences your novel series. What about Norse Mythology intrigued you to write three novels about their dynamics?

One of my first teaching jobs was at a high school that offered a variety of English Literature electives. During my first day on the job I met with the school’s Language Arts Department Chair. She informed me that of the many courses I would be teaching that year one of those would be a course on mythology. I smiled bravely, left the meeting on unsteady legs, and sat down at my empty desk with a myriad number of questions floating through my mind. One of those was: Zeus, he was in mythology, right? I immediately began my research into Greek and Roman mythology, discovering a world of wonder that I really paid very little attention to in my previous educational experience. The Greek gods and their accompanying myths fascinated me, but when I finally expanded my reach and began looking into other culture’s myths, well, let’s just say that my world suddenly swelled.

Before I took my first teaching job I’d been dabbling with a few unfinished short stories, but I had no vehicle to guide them and carry them on their way. However, when I began reading about the Norse gods, and I mean the real stories about the gods - not the Marvel comic kind – then I discovered the channel I could finally use to tell my stories. I was one happy man.  

3.      Does being a writer influence your lessons when you teach? Does your lecture style influence change with your audience and how?

So much of today’s teaching emphasis is on writing and reading. Whether you’re instructing in math, science, or English it really doesn’t seem to make much of a difference. I sometimes feel sorry for those teachers who are forced to integrate so much art into the sciences. However, creating great communicators, both in writing and speaking, requires that the skill be taught in all areas of education. Fortunately for me that skill is basic to what I teach on a daily basis, and being a writer often strengthens my focus in ways that I feel is foreign to my colleagues. For instance, my students hear first hand accounts of my own struggles with a plot line or a character’s development on a daily basis. I feel as if I’m able to ease their suffering on a writing assignment when they see that I’m struggling too and that I understand their frustrations.

In terms of teaching style and audience, there is very little that I change. Often I am asked to speak in front of a group of elementary students about my books and about the writing process. I’ve discovered that for most students, whether they’re 4th graders or 8th graders, the battles are the same. Students need to understand that writing is hard work. It’s not meant to be easy. But the outcome of a well-crafted piece of writing is definitely worth the struggle.

4.      What’s more difficult, teaching or being a writer?

Both occupations of writing and teaching carry with them their own set of difficulties. The real challenge of teaching is keeping students engaged. Sometimes the best lesson plans are cruelly brushed aside by an unruly group of students who are just too caught up in themselves and those around them to care about an author’s brilliant writing style: the themes, conflicts, and ingenious use of figurative language. During these times, being a teacher can become a rather thankless pursuit. But then there are those time, brief though they may be, where things really click. Students look at me with curiosity and wonder as I present a topic that really grabs their attention. They ask questions, they engage in meaningful discussion, and they genuinely seek for more information. When that happens, teaching becomes an awesome profession.

Writing, on the other hand, is a solitary pursuit. I have spent many countless hours in my little home office staring at my computer screen, but it’s always alone. Sometimes that can be difficult. Writers have to enjoy the solitude of their own thoughts, yet at the same time find the balance of social interaction. Along with that comes the constant formulation of new ideas, plot twists, and forcing one’s beloved characters into painful dilemmas just to make a story more intriguing. But when it all comes together, when the sentence, the paragraph, or the chapter is finally complete and the words flow like warm melted butter, then writing also becomes an awesome profession.

5.      What are some myths about writing/teaching that you would like our readers to realize?

I believe that one myth in particular that needs to be set aside in most people’s minds regarding the professions of writers and educators is that they’re easy pursuits, that they don’t require a lot of work to accomplish. Take a teacher, for instance. A teacher gets two weeks off in December, a week off for spring break, and two months off in the summer. That’s a lot of time that a regular nine-to-fiver doesn’t normally get. But the key here is nine to five. Most teachers (I am not one of them) is contracted to work an 8-hour day, but on any given weekday, an hour before teachers are required to be at work, you’ll find a school parking lot almost full and sometimes an hour or two after they’re supposed to go home. Teachers take home piles of work and grade in front of the TV, they continue to grade on weekends, write lesson plans, and often take on extracurricular activities after school as club advisors for no pay.  It is not unusual for an educator, who in most states is required to have a masters degree, to work 10 to 12 hours a day, five days a week. The current burnout rate for teachers is at an all time high, even with extended time off in the summer. Teaching is really hard work.

Writers, I fear, face the same type of unwelcome scrutiny. I know, because of the many questions I’ve been asked by my students and from those that I’ve visited in other schools, that writers are assumed to have a glamorous life of book signings, radio and television interviews, and diverse travels around the world to promote their work. Sadly, this is not true. Most of an author’s work is done in the solitude of a tiny home office. They stay up late to write and they get up early to write. They’re constantly thinking about the next scene in their story, whether or not to kill off a character, and over silly things like where to put a comma and if they should use but, therefore, or nevertheless as their next conjunction. Most writers have to work another job besides their writing just to make ends meet. There’s nothing glamorous about that. The truth is, writing, like teaching, is really hard work.

Wednesday, January 21, 2015

The Viking Influence Around the World - Russia

I want to acknowledge and thank all of my readers and followers. I have been so excited to see so many from Russia, United Kingdom and the Netherlands. I found a cool article that deals with Vikings in Russia that I thought you all might enjoy, especially my readers from that region. Let me know what you think!

You can read it here: THE VIKING INFLUENCE IN RUSSIA

-Brad

Thursday, January 15, 2015

Is This Summer Job For You??

Have you ever wanted to be the captain of a Viking Ship? I found a cool job posting on ThorNews.com where the Viking Ship "Lofotr" is looking for a Hovedsmann/Captain!

"Apply for an exciting and challenging summer job as Høvedsmann in the main season 15 June – 15 August 2015. The Høvedsmann is responsible for preparing and carrying out daily rowing trips with a Viking ship for our guests. It is an advantage if you have experience using a square sail or a boating license. You should master at least two languages."

http://thornews.com/2015/01/08/unique-opportunity-summer-job-as-viking-ship-hovedsmann-captain/?

If you get the job, let me know :)

-Brad

Monday, January 5, 2015

"The Viking Age in Denmark"

I found a great video titled, "The Viking Age in Denmark" that I wanted to share with my readers. Check it out and let me know what you think!



-Brad

Saturday, December 27, 2014

ANCIENT VIKINGS IN THE NEW WORLD Article

An article published on December 16th on Sci-News.com titled, "Scientists Find Evidence of Viking Presence in Artic Canada" caught my eye! This article is very interesting and in keeping with the theme of Odin's Light of THE ZEKE PROPER CHRONICLES. Check it out and let me know what you think!
(c) wallpaper-kid.com

http://www.sci-news.com/archaeology/science-viking-presence-arctic-canada-02349.html

Happy Holidays -
Brad

Wednesday, June 4, 2014

Update: THE GATES OF ASGARD Launch Party

In case you missed my book launch party for Book Three of THE ZEKE PROPER CHRONICLES, The Gates of Asgard, you can get your copy here! I would love to hear what you think. Make sure to leave a review on Amazon! Check out the video below to see my reading from the launch party. Enjoy!


 
-Brad

 
 
 


 

Monday, April 21, 2014

Write a Review, Get a Prize!

Book One of THE ZEKE PROPER CHRONICLES, Odin's Light, is on sale for only 2 more days on Amazon Kindle!! Did you get your copy yet? If not, you can get it HERE. In anticipation for the release of Book Three, The Gates of Asgard, I am offering a SIGNED copy of the new book for one lucky reader. All you have to do to enter, is write a review of Odin's Light on Amazon by May 31st
and leave your email address in a comment below. One winner will be chosen. Feedback from my readers is very important to me. I can't wait to hear what you think!

-Brad

Monday, April 14, 2014

Amazon Kindle Countdown!

In anticipation of the release of Book Three of THE ZEKE PROPER CHRONICLES, The Gates of Asgard, the revised edition of Book One, Odin's Light, will be on sale thru Amazon Kindle Countdown for only $0.99 starting Thursday, April 17th at 8am!! This price will only be in effect for a limited time. After you get your revised edition, make sure to leave a review. Feedback from my readers is very important to me. I can't wait to hear what you think!

http://www.amazon.com/Odins-Light-Zeke-Proper-Chronicles-ebook/dp/B007NCIRMQ/ref=dp_kinw_strp_1

Friday, April 4, 2014

My Journey to the Gates of Asgard

While in college, I remember being subject to several lectures, embroiled in mounds of reading assignments, and challenged to the limit with writing projects. In general, I remember many of those tasks, but specifics completely elude me. However, I do remember some profound words of one of my favorite professors. They are words I’ve often repeated to my own writing students: Writing is hard work.

Many of my students struggle with the task of writing, often expressing their displeasure in the form of moans and whines. I think most students expect the skill to just happen; when it doesn’t, they give up. It’s sad when they do. But I have to admit; when they express the desire to quit, I can honestly say that I understand – I get it.

While writing the third book in the Zeke Proper Chronicles – The Gates of Asgard - I’ve often found myself on the brink of quitting, simply giving up and instead spending my evenings tinkering with some woodworking tools in my garage rather than wasting my time in my tiny office trying to work out another complicated scene. But I’ve persevered. I think the reason I have is because I want to find out how the story ends just as much as my loyal readers. In my experience, I’ve discovered that Zeke’s story wants itself to be told. I can’t even begin to count the number of times I’ve sat down at my computer, having in mind a particular direction I think I want the story to take when I’m suddenly blindsided. The tale begins to tell itself, taking me in directions I would have never imagined. Sure, the process has been hard. It’s been a challenge that has frustrated me with elated highs and bitter lows, moments of pure inspiration and instances of harsh disappointment. But I think that’s what’s made it all worth it. If I didn’t have to work for it, then where would the satisfaction be?

As it stands, The Gates of Asgard is complete. It’s going through some final edits, but for the most part the rest of the story’s been told – and it’s really good. I’m not just saying that because I wrote it. I’m saying that because, really, I didn’t write it. It wrote itself, and it will take you on a journey that will blow your mind. 

Book Three of The Zeke Proper Chronicles -The Gates of Asgard
Brad Cameron
Release date May 2014

Friday, November 15, 2013

Guest Blog - Jason Andrew Bond

For this week's guest blog, I am pleased to introduce author, Jason Andrew Bond. Make sure to check out the links to his social media pages, website, and literary works following this article.
 
What Getting Punched in the Face Taught Me about Writing
 
I’ve been training in martial arts since I was eighteen years old. That’s twenty years of cracked shins, pulled tendons, and bruised forearms. I’ve trained under the former U.S. Taekwondo Olympic Head Coach, a Muay Thai heavyweight champion, and a U.S. Martial Arts Hall of Famer. Believe me when I tell you, it all hurt.

During those years of training I had a critical problem; I’m wasn't very good. I’ve got poor timing, weak balance, and slow reaction time. Rather, I had those things. After twenty years, I can block or dodge most punches and kicks, my balance is much improved, and I can land a few good shots.

It’s important for me to qualify that I still feel like an idiot compared to some of my more talented training partners. However, if you watched me spar or grapple, you’d probably think I knew what I was doing.  You might just see me win against some pretty talented fighters… might. There’s a lot you won’t see, though. Buried in what I can do are years of losses and injuries. In my younger days, I went home many times with my ego so bruised I could barely look in the mirror. Seeing only the skill a person has and not what he or she went through to get it is a dangerous misperception. To successfully walk a path one must be aware of the entire journey, not simply the destination. 

It is critical to understand that anything done well, must first be done badly. This truth is often where people struggle. I’ve seen it for twenty years in martial arts. New students arrive with images of themselves stronger, fitter, and able to defend themselves. That’s all great. However, the truth is that training hurts the body and ego. People feel awkward when they try to throw their first punches and weak because they can’t keep up with the class. These physical and mental challenges cause most people to quit within the first few months because they did not expect nor appreciate those feelings. Yet, it is exactly these feelings of apparent failure we must pass through to find success.

The same reality of skill development applies to writing, but there is an even deeper failure rate due to a key problem. Most people will look at a martial artist throwing kicks and blocking punches and think, “Wow, that’s a different level of skill.” It’s not always that way for writing. 

Many people—and I’ve heard this sentiment several times—think that they can write a good story on the first or second go, and that simply isn’t possible. If you gave me two challenges, holding off a friend of mine named Jacob—who’s 265 lbs and recently fought and won in a local MMA cage fight—and writing a story I can guarantee people will like, I’ll take the fight.  It’s so much easier to control. Let me reiterate that.  A 265 lb. cage fighter is easier to control than a reader’s perception of a fiction story. In a fight, I know when I’m winning. I know when I’m losing. Writing is in no way that clear. It’s a shadowy art in which you paint in the darkness of another person’s mind. You will never know the exact impact your words have. 

Most aspiring authors don’t realize how difficult fiction writing is until they get their first reader reactions. The author is excited and sure the reader will love the work, and the reader winces and says, “Well, it was okay, but…” This realization that the new author has not been able to create a masterwork can shock the ego so badly that he or she may give up. Don’t let that be you! I’ve said it many times, and I’ll say it many more: The only time we truly fail, no matter how many rejections we receive or how many matches we lose, is the moment we stop trying. 

So what should you do? Write. Write badly. You will at first. Unless you’re that one lightning bolt—odds are you aren’t—you’ll need practice. How much? Malcolm Gladwell has written a book on what makes people successful called Outliers. I highly recommend it. I’ll leave the specific details to your reading, but the core comes down to hard work. How much? 10,000 hours. That may sound like less than it is. Trust me, it’s a LOT. I’ve been tracking my writing time over the last several years, and I’m still nowhere near that mark. However, if you want to compete with King, Rowling, and Sparks, you better be willing to put in that level of time. 

Now I’m going to offer my most important advice: Don’t listen to me. You don’t want advice from a guy who doesn’t have his 10,000 hours in yet. Go to the experts. During my martial arts lifetime I’ve learned from first degree black belts and ninth degree black belts. I’ve attended seminars with a local stick fighter and seminars with world class fighters like Danny Inosanto. The first degree black belts can get you off the ground, but they can only raise you up so high. If you want to be competitive with the big names of writing, if you want to perfect your voice and art, then you need to be mentored by those with 10,000 hours. 

The good news: That mentorship is there for you. I begin each writing day by reading from a how-to book by a bestselling author or professional editor. If you focus on the advice of these people, you will find valuable wisdom and—much more importantly—an intensely positive energy. As a starting point, I recommend the book Stein on Writing by Sol Stein. You want to be a skilled writer? Become a skilled editor.

So the secret to great writing presents itself as 10,000 hours of work, and many, many failures. But when you fail, if you see it correctly, you will move toward success. How can you develop a skill through failure? Believe me, when that boxing glove comes through your guard and connects with your face, your motivation to block the next punch is fairly intense.

Now stop reading this and get back to writing! 
All the best,
Jason
FB: https://www.facebook.com/Jason.Andrew.Bond  
Twitter: https://twitter.com/JasonAndrewBond
Website: https://www.JasonAndrewBond.com  

Friday, May 24, 2013

Guest Blog- Jennifer Willis

I am excited to host another friend and author, Jennifer Willis.  Jennifer Willis is an author and journalist in Portland, Oregon. Her articles and essays have appeared in The Oregonian,
Salon.com, The Christian Science Monitor, The Writer, and other electronic and print publications at home and across the globe.
 
 
GET OUT!
Many writers are solitary creatures. It's an occupational hazard. We hole up in home offices or even at tiny desks in closets. Unless we’re living with a partner or roommates, we might go days without so much as making eye contact with another human being. Granted, other writers are more social and thrive on noise and chaos. I am not one of those people, and most of the novice and experienced writers I know find writing to be a somewhat lonely practice.
It's important to get out—not just to step away from the desk, but to actually leave the office (and the house) . . . and to leave my own comfort zone. Unless my immediate material focuses solely on secluded navel-gazing, one of the worst things I can do as a writer is to permanently hole up inside my own cocoon.
But getting out doesn't mean that I'm not still working. I have two paths to "off-campus" productivity:
• Embracing the non-ordinary.

• Adventures in co-working and write-ins.

Embracing the non-ordinary
 
To keep work—and life — from getting stale, I remind myself to keep a look-out for new experiences. It could be as simple as trying a new route to the library, or as extreme as going skydiving for the first time.
If an opportunity presents itself—an invitation to play paintball, a friend who needs a companion for a tour of Kenya, a class on underwater basket-weaving—I figure, why not? If my first, knee-jerk reaction is to reject it, I'll take a moment to consider: Is this opportunity really too time-consuming, out of my way, or otherwise inconvenient? Or does it simply require me to step outside my comfort zone?
 
Peculiar travel suggestions are dancing lessons from God.
-- Kurt Vonnegut, Jr.
 
I do try to be smart about this; with my chronic dysautonomia, not every physical activity is appropriate or even possible. But when I take chances—solo travel to a country where I don’t speak the language, or trying street hockey when I can barely skate—I've found that wonderful things can happen. I meet new people, get plenty of new story ideas, and have a lot more fun than I’d have sitting in the home office day after day.
 
Adventures in co-working and write-ins
 
This part is not as sexy, but it's a necessary part of my productivity puzzle.
About a year ago, a wonderful little coffee shop opened up in my neighborhood. The staff is friendly, the tea and baked goods are delicious, the WiFi is strong, and the location can't be beat—I can walk there through the park! It's the perfect environment for productive research, writing, and editing away from my desk.
Still, it was a solitary exercise. So, when National Novel Writing Month rolled around last November, I hosted my first-ever write-ins. I planned a schedule—two mornings a week—and invited other NaNoWriMo participants to join me. I met a dozen other local writers this way—people I otherwise might never have connected with. One of these writers has been a regular co-working buddy ever since.

 
Hosting a Write-In
 
What to look for in a write-in location:
 
• Coffee/tea menu—do I have to explain this? Food also helps.
 
• Adequate seating. Not everyone has to sit together, but you should all be able to assemble within easy earshot of each other.
 
• Power outlets. Call ahead to ask about available outlets if you're not sure. I tend to carry an extension cord and a power strip with me, just in case.
 
• Noise level. You don't want to have to whisper to each other so as not to disturb the other patrons, but you don't want to have to be shouting over the coffee machines and the house music, either.
 
• Groovy staff. Giving the staff a heads-up about your gathering—even if it's just three people—can go a long way to a great writerly experience.
 
• YOU! Show up and write already.
 
Traveling is also a great time to investigate co-working opportunities, wherever you happen to land.
 
When I was working in Dublin in the fall of 2011, I looked around my neighborhood for cafés with WiFi access. That was pretty much useless. I then realized that, of course, Dublin would have co-working facilities!  After a quick Google search, I settled on AMWorks and it was just about perfect—good layout, clean, quiet, and convenient to public transportation. Plus, the people were friendly and respectful. The week I spent in those offices was pure gold.
 
When you need to "get out," don't be afraid of trying something new—whether it's a clown college seminar, hosting a write-in at your local hang-out, or even finding an office-away-from-home in a foreign city. I find the novelty and camaraderie to be priceless when it comes to real productivity.
 
-Jennifer Willis
 
She can be found online:
Twitter: @jenwillis
 
Her novels—Rhythm (2001), Valhalla (2011), and Iduna's Apples (2012) —are currently available both as ebooks and in print.